Stevie Wonder as a teenager, was eager to show something more than love songs, daring reinvindicativas with songs like "Blowin 'in the Wind" by Bob Dylan and compositions as powerful as "Nothing's too good for my baby" or "Up-tight", emerging from the previous álbumnes style of Ray Charles. This demonstrated the qualities of Stevie own voice, aupándole to the rank of star.
This helped in the production of Henry Cosby -inseparable at this stage by Stevie Wonder-, as well as that of W. Stevenson and of course, again, Clarence Paul.
This helped in the production of Henry Cosby -inseparable at this stage by Stevie Wonder-, as well as that of W. Stevenson and of course, again, Clarence Paul.
SONGS
Love a go go
Hold me
Blowin' in the wind
Nothing's too good for my baby
Teach me tonight
Uptight (Everything's alright)
Ain't that asking for trouble?
I want my baby back
Pretty little angel
Music Talk
Contract on love
With a child's heart
COMPOSER
E.Shelby/Beth Beaty
Wonder/C.Paul/M.Bradnax
Dylan
S.Moy/H.Cosby/W.Stephenson
S.Chan/G.Depaul
Wonder/H.Cosby/S.Moy
Wonder/H.Cosby/S.Moy
N.Whifield/C.Grant/E.Kendriks
Wonder/C.Paul/M.Malvano
Wonder/C.Paul/T.Hull
Wonder
Wonder
Second stage: Young Stevie Wonder
UPTIGHT
1966
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